There were no donkeys in Guizhou until an eccentric took one there by boat; but finding no use for it he set it loose in the hills.
In Journey to the West, Wei Zheng embodies a dual identity. He is neither fully mortal nor purely divine but a liminal figure ensuring cosmic order—a reminder that even human affairs are threads in the tapestry of heavenly design.
In Journey to the West, the place where Sun Wukong practices is described as: “The Blessed Land of the Mountain of Flowers and Fruits, where the Cave Heaven hides the Water Curtain.”