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There were no donkeys in Guizhou until an eccentric took one there by boat; but finding no use for it he set it loose in the hills.
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In Journey to the West, Wei Zheng embodies a dual identity. He is neither fully mortal nor purely divine but a liminal figure ensuring cosmic order—a reminder that even human affairs are threads in the tapestry of heavenly design.
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In Journey to the West, the place where Sun Wukong practices is described as: “The Blessed Land of the Mountain of Flowers and Fruits, where the Cave Heaven hides the Water Curtain.”