A Daoist fisherman meets exiled Qu Yuan. He advises Qu to adapt to the corrupt world instead of clinging to uncompromising purity. After singing the Canglang ballad about timely seclusion, the hermit vanishes into remote mountains.
An anonymous Wei hermit carrying a straw basket hears Confucius playing stone chimes. He detects Confucius’ worldly frustration and advises flexible withdrawal via a poetic metaphor. Confucius acknowledges the resolute Daoist wisdom of going with natural tides.
Mencius criticizes Yang’s egoism and Mo’s indiscriminate universal love as two extremes. Though Zi Mo’s moderation is better, rigid adherence without flexible judgment still distorts the all-round Dao by fixating on one single standpoint.
While in Wei, Confucius was playing the qing (a stone chime). A reclusive passerby carrying a straw basket happened to walk by Confucius’s gate and said upon hearing the sound, “Ah! There is intention behind this chime!”After a moment, he added, “How narrow-minded! So obstinately persistent! If no one understands you, just let it…
In Luo Guanzhong’s Romance of the Three Kingdoms, Chen Gong’s fate stands as one of the most poignant and instructive tragedies. A man of intelligence, loyalty, and moral integrity, Chen Gong ultimately met his end not through cowardice or incompetence, but due to a series of fateful misjudgments. His life offers profound lessons on…
A person bereft of sincerity is like the facial makeup a woman wears; everything he does is mere empty show.
A man fond of movement is like lightning flashing through the clouds, ephemeral. He flickers like a candle flame in the wind. On the other hand, a man devoted to quietude is like dead ashes or a blighted tree stump, bereft of all vitality.