Chinese mythology, folktales, and literature
Master Nanquan Puyuan (748–834 CE) was a revered Chinese Chan (Zen) master of the Tang Dynasty, known for his profound teachings and role in shaping the Linji (Rinzai) school of Chan Buddhism. He was a student of Baizhang Huaihai, another great Chan master, and is celebrated for his direct and often paradoxical methods to…
Zen Master Longshan (also known as Hidden Mountain Monk) was a renowned Chan Buddhist monk of the Tang Dynasty. After receiving Dharma transmission from Chan Master Mazu Daoyi, he chose to retreat deep into mountains for spiritual practice, remaining secluded from society throughout his life. Dwelling in austere simplicity at Long Mountain (Dragon Mount,…
Chan Master Hakuin Ekaku (1686–1769 CE) was one of the most influential figures in Japanese Rinzai Zen Buddhism.
Chan Master Foyin (1032–1098 CE) was a renowned Chinese Chan (Zen) master of the Song Dynasty, known for his wisdom, humor, and deep spiritual insight.
At a Chan monastery, the monastic chef was a highly respected role. Master Shishuang, who had trained in several temples before, served as grain keeper under Master Weishan.
A man journeyed through mountains and rivers, enduring great hardship. While crossing a steep cliff, he slipped and fell into a deep ravine. As he plummeted, he desperately grabbed an old branch growing from the cliffside — saving himself but left dangling mid-air.
Monks at Longhu Temple (Dragon-Tiger Temple) were painting a “Dragon-Tiger Battle” mural on the front wall. They struggled to capture dynamic tension: the dragon coiled in clouds, ready to descend; the tiger crouched on a mountain, poised to pounce.
Chan Master Huangbo Xiyun was a highly influential Chinese Chan (Zen) master during the Tang Dynasty, known for his profound teachings and contributions to the development of Chan Buddhism.
Chan Master Wu De refers to Master Fenyang Shanzhao, a renowned Chan master of the Song Dynasty and a monk of the Linji school. In Chan practice, Shanzhao pioneered innovative forms such as Dai-Bie (substitute phrases and critical amendments—revising interpretations of koan dialogues) and Song-Gu (eulogizing antiquity—praising ancient koans through poetic verses). He compiled…